Dazzle Me

this here's an inspiration board

drinkyourjuice:

I was bummed a new single didn’t get debuted during this, and the Charlie’s Angels throwback was something I didn’t need in my 2013, but jesus christ here is someone at the pinnacle. Here is a person in her peak form. Someday we will all be fifty and farting into the fabric seats of our cars and when we hear the word “Beyonce” this is what it will evoke.

vmnealey: “Perduto è tutto il tempo che in amor non si spende.” - Italian Poet Torquato Tasso ♥ “Lost is all the time that you don’t spend in love.” - Written on a staircase in Roma. {V.} 

vmnealey:

“Perduto è tutto il tempo che in amor non si spende.” - Italian Poet Torquato Tasso

♥

“Lost is all the time that you don’t spend in love.” - Written on a staircase in Roma. {V.} 

(via alexandra-arena)

So avoid using the word ‘very’ because it’s lazy. A man is not very tired, he is exhausted. Don’t use very sad, use morose. Language was invented for one reason, boys - to woo women - and, in that endeavor, laziness will not do. —Dead Poets Society

So avoid using the word ‘very’ because it’s lazy. A man is not very tired, he is exhausted. Don’t use very sad, use morose. Language was invented for one reason, boys - to woo women - and, in that endeavor, laziness will not do. —Dead Poets Society

(Source: miss-adora-belle, via dansirdan)

likeafieldmouse:

Marina Abramovic - Rhythm 10 (1973)

“In her first performance Abramovic explored elements of ritual and gesture. Making use of twenty knives and two tape recorders, the artist played the Russian game in which rhythmic knife jabs are aimed between the splayed fingers of her hand. Each time she cut herself, she would pick up a new knife from the row of twenty she had set up, and record the operation.

After cutting herself twenty times, she replayed the tape, listened to the sounds, and tried to repeat the same movements, attempting to replicate the mistakes, merging past and present. She set out to explore the physical and mental limitations of the body – the pain and the sounds of the stabbing, the double sounds from the history and from the replication.

With this piece, Abramovic began to consider the state of consciousness of the performer. ‘Once you enter into the performance state you can push your body to do things you absolutely could never normally do.’”

(Source: likeafieldmouse, via dansirdan)